He has done a range of exhibitions and public space interventions at Tate Modern, MoMA, the ICA London, and other renown international venues. Aceti is the director of Arts Administration at Boston University and the Editor in Chief of the Leonardo Electronic Almanac (The MIT Press, Leonardo journal), for which he has edited more than 12 volumes. He has lectured internationally at prestigious institutions such as Yale, Harvard, RCA, Goldsmiths, and Central Saint Martins.
He previously worked as director of Kasa Gallery in Istanbul, where he exhibited a range of innovative artworks including 75Watts by Revital Cohen and Tuur Van Balen, acquired by MoMA and Paolo Cirio’s Loophole4All, awarded the 2014 Golden Nica at Ars Electronica. Recently, he performed and curated Hope Coming On at the Museum of Fine Arts Boston, as well as The Small Infinite at the John Hansard Gallery with artworks never previously exhibited from the estate of John Latham. Lanfranco Aceti has participated in numerous art fairs such as Art Athina, Art International, Supermarket, and Contemporary Istanbul, either as a curator or as an artist. In 2011, he curated the exhibition Uncontainable as part of the parallel events of the 12th Istanbul Biennial and exhibited artworks on the media facade of the Museum of Contemporary Art, Zagreb. He is currently curating Empty Pr(oe)mises for the National Museum of Contemporary Art, Athens, and a new public performance by Stefanos Tsivopoulos on the White House sidewalk in collaboration with the Cooper Gallery at Harvard University.
He has exhibited numerous personal projects including Car Park, a public performance in the UK; Who The People? an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; and Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus. As of 2017, Aceti has been asked to prepare a series of new artworks and participate in exhibitions and projects including a large performance titled Accursed for the Thessaloniki Biennial in Greece.