Back to top
Hide Content
Menu
  • News
  • ABOUT
    • What Is MoCC?
    • Press Pack
    • MoCC Guidelines for Artists
    • Lanfranco Aceti
    • Jonathan Munro
  • Exhibitions
    • The Social
    • Social-ist
    • All
  • Fairs
  • CURATORS
  • ARTISTS
  • Shop
    • Shop Overview
    • Cart
    • Checkout

Museum of Contemporary Cuts - Museum of Contemporary Cuts Museum of Contemporary Cuts

  • News
  • ABOUT
    • What Is MoCC?
    • Press Pack
    • MoCC Guidelines for Artists
    • Lanfranco Aceti
    • Jonathan Munro
  • Exhibitions
    • The Social
    • Social-ist
    • All
  • Fairs
  • CURATORS
  • ARTISTS
  • Shop
    • Shop Overview
    • Cart
    • Checkout

THE MUSEUM OF CONTEMPORARY CUTS (MOCC) IS A MUSEUM THAT FOCUSES ON THE IMPACT THAT THE CURRENT ECONOMIC CRISIS HAS ON THE ARTS, SOCIETY AND DEMOCRACY. READ MORE AT MOCC

© Copyright 2014 Museum of Contemporary Cuts
  • facebook
  • rss
  • twitter
Previous Image Next Image
Show Details
Play
The Social 1/1
Start Slideshow Stop Slideshow
The Social The Market Will Save
Us, 2016. Boston performance.
Curated by Lanfranco Aceti.
Photograph by Hilary Scott. Boston
Common. DemosPopuli, 2016.
Augmented reality installation.
Curated by Lanfranco Aceti. Museum
of African American History, Boston. Murat Germen Taksim Gezi Resistance, 12th day, 2013. Istanbul. Taksim Gezi Resistance, 12th day, 2013. Istanbul. Haydn Jones, Fabio Lattanzi Antinori, and Jonathan Munro Dear Shareholders, 2014. Greasy Bouffant, video installation, 2014. Oliver Ressler What Is Democracy? Installation, 2009. We Have a Situation Here, photo series, 2011. My Estate of Mind Born To Rule (Portraits of the Big Society), Jordan McKenzie and Aaron Williamson, Standpoint Gallery, London 2011
Deciding to retrain as classical portrait painters, Aaron and Jordan put a turnstile in the gallery turning the free cultural space into a paying one and, in their sophisticated drawing room, resplendent with easels and a servant, painted portraits of David Cameron's Big Society standing in front of their country mansions.  Monsieur Poo-Pourri Takes a Dip, b-Side festival, Weymouth, UK, 2010. No Rest For the Wicked No Rest for the Wicked No Rest for the Wicked Suggestions for Art That Could Be Called Red Re: Evolution, 2013. Printed fabric, 1.5 x 2.5 m. Quarter Review: Commemorative Industries of the United States (Pencil Factories), (Inside Fold Out) Altered Quarter Collection Book, Quarter, Acrylic Transfers, Acrylic, and Manufactured Pencil, 2013. Olga Kisseleva TIME VALUE, graphic series, 2013. TIME VALUE, graphic series, 2013. Jackpot All Hail Damien Hirst! Augmented Reality intervention into Damien Hirst’s retrospective at the Tate Modern, with animated rain of 2012 Diamond Jubilee commemorative gold sovereign. Photo of smartphone display viewing work outside of Tate Modern, 2012. Master Wall, 2011. Precipitation, Mark Amerika, 2013. Art is purposiveness without purpose [Immanuel Kant Cloud Remix], 2013. A single currency [Treaty on a European Union Cloud Remix], 2013. Paolo Cirio Drowning NYC, 2010. Digital prints, 1 Video channel. P2P Gift Credit Card – Gift Finance, 2010. Digital print and plastic card embossed. Tom Corby and Gavin Baily, 2013. January - Drug tariff, 2013. Low Spirits - February 20th, 2013. Medium - blue beat mod. Bill Balaskas Future Building, 2013. Digital photograph. Logic, 2013. Digital photograph. MoCC: The Opening, as part of the AND (Abandon Normal Devices) Festival in Manchester, photo series, 2012. MoCC: The Opening, as part of the AND (Abandon Normal Devices) Festival in Manchester, photo series, 2012. Lanfranco Aceti, 2012.
Loader