All began with my idea of stealing a wall from the Venice Biennale and working freely from home, without necessarily being present — more than it was necessary — and take part in the celebratory rites of the inauguration of the Venice Biennale.
What is the Museum of Contemporary Cuts (MoCC)? And what does ‘cuts’ stand for? In this article we explain these questions and much more.
Should a museum work openly on its restructuring and refurbishment? Should it offer its supporters a way of gazing at the inner workings and perhaps assist and support?